Pooja Koshti
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Couture Heritage
Our Collections
Experience the confluence of traditional artistry and modern silhouettes. Choose a collection below to browse, or scroll to read the chapters of our couture heritage.
Chapter 01
DASHO ADHYAY - SATTVA
SATTVA - The Soul of Tradition, reimagined for The Tenth Chapter. Sattva Brings The Timeless Grace of Sarees and Lehengas into Dasho Adhyay, celebrating the Roots that have Shaped POOJA KOSHTI'S Decade-Long Journey.
Chapter 02
DASHO ADHYAY - PRATHA
Pratha Brings Effortless Indian Elegance to Dasho Adhyay Through Silhouettes that Honour the Everyday Beauty of Craft, Culture and a Decade of Pooja Koshti.
Chapter 03
DASHO ADHYAY - TEJASWI
A Reflection of Confidence, Individuality and Evolution. Tejaswi is the Contemporary Expression of DashoAdhyay, where Indian craftsmanship meets modern silhouettes to celebrate how Pooja Koshti has evolved over ten years.
Chapter 04
REET
Reet is embroidery. Lehenga and kurta sets in silk, organza and golden tissue, worked with resham, cutdana and pearl — pieces that carry a mehendi or a haldi without needing a wedding behind them. The range is deliberate: the same craft on a light kurta set and on a full bridal lehenga, so the collection dresses a guest and a sister of the bride equally well.
Chapter 05
LALEH
Laleh is the bridal heart of the studio. Seventeen lehenga sets built around handwork — golden and silver zardosi, sequins, patch work and floral threadwork carried across blouse, dupatta and skirt. These take the longest to make and are the most often altered to measurement. If you are dressing for your own wedding, begin here.
Chapter 06
GUL POSH
Gul Posh is where the pleat does the work. Eleven pieces in silk and crepe — pleated tops, A-line dresses, an ombré anarkali — cut so the fold holds its shape without stiffness. The handwork is restrained here, sitting at the yoke and the neckline and leaving the drape to speak for itself.
Chapter 07
POETRY
Poetry is the quiet collection. Printed dresses and top-pant sets in mul and soft cotton, cut for days that do not need an occasion — a long lunch, a puja at home, an afternoon that runs late. Nothing here is embroidered. The print is the whole idea.
Chapter 08
ÉTÉ
Été is cotton, and only cotton. Twelve kurtis and summer dresses made for the months between March and June in Ahmedabad — light, unlined, easy to wash and easier to wear. The most affordable pieces in the studio, and the ones that end up worn the most.
Looking for something specific? The full catalogue is here.